Site icon Kay DiBianca

THE CRAFT OF WRITING — FEBRUARY 2023

THE CRAFT OF WRITING — FEBRUARY 2023

Kristy Montee (P.J. Parrish) on writing a series

 

I’m excited to continue this year on the CRAFT OF WRITING blog by focusing on authors who write series. This month, we welcome P.J. Parrish, the award-winning author of the Louis Kincaid thriller series.

For those of you who don’t know, P.J. Parrish is the pseudonym of the writing team of sisters Kristy Montee and Kelly Nichols. Kristy is a fellow contributor to the Kill Zone Blog, and she is my guest today. (You can read more about these exceptional sisters in the author bio below.)

Writing the series with P.J. Parrish Share on X

***

Welcome, Kristy, to the Craft of Writing blog and thank you for joining us!

 

First things first: Why did you and your sister decide to co-write books? Do you have a process for writing (e.g., alternating chapters) so you don’t get in each other’s way?

We decided to join up mainly because my career in romance was dead and my agent suggested I had a good sense of mystery and that I should try that. Ha! What hubris I had. My first effort was abysmal and my agent told me to go home and read some Connelly and PD James. (I hadn’t read a mystery since Nancy Drew.) Unbeknownst to me, my sister Kelly was trying to write her own first novel and was struggling (raw talent but no grounding in craft). My husband suggested we team up and it worked from the start.

Our process is to brainstorm together (we’re pantsers) and work out basic plot about 3 chapters forward. (the famous E.L. Doctorow method: You’re driving down a dark road with only your headlights to guide you, but you can get to the end that way). Then we “take assignments” based on who might have a better feel for the chapter’s needs (i.e., Kelly loves doing the action scenes; my forte tends toward character development and description. Though over the years we’ve both gotten stronger vice versa, although Kelly still considers doing description to eating broccoli. I force her to do it! We write our chapters, exchange them, edit them, discuss and rewrite if needed then move on down the dark road.

 

Why did you choose P.J. Parrish as your pseudonym?

Ha! Try to make a long story short. Our editor at Kensington suggested we come up with one because two names on a cover take up a lot of space and readers tend to be suspicious of books written by committee. We tried Kris Kelly. Editor said it sounded too Irish. (Ah, aren’t they great storytellers?). And because we write a male biracial protag, they wanted us to use a gender-neutral name. Remember, this was back in the dark ages of 1999 – women writing crime fiction, let alone with a male hero, well, it wasn’t as accepted as it is now. We were under contract with a pub deadline looming when Kelly and I went off to England. We were tooling around the Cotswolds, getting frantic calls from our agent. We bent a few elbows at a pub one rainy night and came up with the name PJ Paris (because we were flying there the next day). We ran out to one of those red phone booths and called our agent. She loved the name. When we got the contract it said “PJ PARRISH.” I guess I slurred my words during that phone call. True story, I swear.

 

This year we’re concentrating on writing series, and your Louis Kincaid series has been very popular. Why did you decide to write it?

Louis is Kelly’s creation. The book she was trying to write was a very rough version of our first published book “Dark of the Moon.” Louis was born of her own experience living in a small town — Philadelphia, Mississippi  — and having biracial grandchildren. I think of Louis as my adopted son.

 

There are eleven books in the Kincaid series. How do you keep the series fresh, book after book?

It is difficult, as any series writer knows. Doubly so since we age Louis with each book and we pay strict attention to his character arc over the course of each book and the entire series. I think that is what keeps readers coming back – that they have been witness to Louis’s life journey.

 

How do you handle the situation where a reader jumps into the middle of a series without reading the first book or two?

Good question. It’s a tightrope walk. You have to give a new reader just enough backstory so they don’t feel lost, yet not bore loyal readers who’ve been with you for the whole ride. This would make a good post for The Kill Zone.

 

Do you have plans for future Louis Kincaid books?

Well, this is as good a place to announce this as any. Right now, we have no plans for another Louis book. There are many reasons behind this decision, but foremost is that the changes in the industry in the last five years or so have not been kind to any author who is not a bestseller, especially for series. Publishers are very reluctant to pick up a series in midstream because they can’t access your backlist. Which is partly why we did our stand alone thriller “She’s Not There” with Thomas & Mercer. And you know, going back to the keeping a series fresh question: We feel that with our most recent Louis book “The Damage Done” that we left him in a very good place as far as his arc goes. As TKZ readers know, I’m not a fan of prologues. Bad epilogues are even worse.

 

What other books are you working on?

Working on a sequel of sorts to “She’s Not There” involving the secondary protagonist. He wasn’t supposed to be such a dominant force, but, well, sometimes characters surprise the hell out of you. Our editor (and readers) have asked us to tell his story. Problem is, he’s rather recalcitrant. And I’m getting old and am easily distracted by things like gardens, my dogs and pickleball.

 

What advice would you give an author who’s considering writing a series?

  1. Give your protagonist a lot of thought before you write one word. Figure out if you’re going to advance him or her in age with each book. Work out details of age, background, family, etc. and give yourself enough latitude for growth over the course of a series. It’s a marathon.
  2. Keep a record of every trait you give your protagonist. Every detail you commit to paper, record it somewhere: height, weight, siblings, where he was born, shirt size, how he takes his coffee. Record all the dates and years. BELIEVE ME, you will need this record. You will go insane trying to go back and find these details in your books. And your readers will be quick to call you out for errors. (“Hey, you said his middle name was Alvin in book 3, so why’d you call him Ervin in book 5?”)
  3. Keep similar records for all characters in each book. Because you will probably find they show up in future books. You don’t want to waste time getting to know them all over again.
  4. Give great thought to the character arc of your protagonist that you would like to cover over the course of the series. I know this isn’t always possible from the start, but the sooner you begin weaving this into your plot process, the more compelling your hero will be.
  5. Find a great co-author. Just kidding.

 

Tell us more about you. What interests do you have outside of writing?

Well, I’m blessed to have retired to two homes: Tallahassee FL (Nov.-May) and Traverse City MI (May to Nov.). In Florida, I am obsessed with tending my garden and watching my birds. In Michigan, I switch to active mode and do a lot of hiking in the woods, biking, kayaking, and pickleball every morning. We’re traveling a lot now – just back from France and gearing up for Italy and we go for about a month at a time. So, I’m also into languages big time, getting pretty proficient in French but now just learning how to order a coffee in Italian. Io sono di Florida! (Learned that today.) Am also trying to find more time to read just for pleasure.

 

Where can we find out more about you and your work?

PJ Parrish.com but be kind. We’re awful about updating it.

 

Thank you, Kristy, for being with us today.

 

Writing the series with P.J. Parrish Share on X

***

P.J. Parrish is actually two sisters, Kristy Montee and Kelly Nichols. Their books have appeared on both the New York Times and USA Today best seller lists. The series has garnered 11 major crime-fiction awards, and an Edgar® nomination. Parrish has won two Shamus awards, one Anthony and one International Thriller competition. Her books have been published throughout Europe and Asia. Parrish’s short stories have also appeared in many anthologies, including two published by Mystery Writers of America, edited by Harlan Coben and the late Stuart Kaminsky. Their stories have also appeared in Akashic Books acclaimed Detroit Noir, and in Ellery Queen Magazine. Most recently, they contributed an essay to a special edition of Edgar Allan Poe’s works edited by Michael Connelly.

Exit mobile version